✺ Shantih Shantih Shantih
A NOVELLA
SINGAPORE: MATH PAPER PRESS, 2021; EPIGRAM BOOKS, FORTHCOMING 2025
SHORTLISTED FOR THE 2022 SINGAPORE LITERATURE PRIZE (FICTION IN ENGLISH)
RECIPIENT OF THE 2022 SINGAPORE LITERATURE PRIZE READERS’ FAVOURITE ENGLISH BOOK
✺ SYNOPSIS
Snow falls over Singapore for exactly four minutes and twenty-six seconds, quietly interrupting the lives of a dozen individuals, lonely and adrift: an art student and a former fling, chancing upon one another at Punggol MRT station; two men awake at 4am, watching YouTube videos of hail falling over the island nation; a sugar baby trawling through Google Maps, exploring the homes and neighbourhoods of her former clients...
Witness the near-miraculous ways passers-by can transform the trajectories of one another’s lives.
Shantih Shantih Shantih is a heady mix of desire and dauntlessness that revels in its interconnections, pulling close a community that is at once together and apart.
“Dreamscape, portrait and meditation, Shantih Shantih Shantih is a distinctly Singaporean book that echoes the loneliness of living in a global city – together yet apart, intimate yet distant, aspirational yet melancholic.”
“I finished this novelette of interconnected stories on my way home one evening, half-expecting snow to fall in Singapore like in the book. There is just no other local author who writes with Daryl’s emo-Piscean sense of awe and wonder, making him as queerly unique as a pirouetting flake of starry snow.”
“I loved Shantih Shantih Shantih’s combination of beautifully precise language with the contemplative, yearning, dreamy looseness of that hinterland time between late night and early morning. In twelve unassumingly luminous vignettes, we’re given snapshots of a small group of sleepless people around Singapore, whose lives just happen to intersect and resonate at the moment of the strange almost-miracle of a few minutes of snowfall, just after half-past four in the morning. I found myself captivated by the book’s particular blend of melancholy, tenderness and idealism, and also found myself reminded – in the absolute best of ways – of one of my all-time favourite films, Jim Jarmusch’s Night On Earth.”
“Everything is entangled and separate, everyone’s in love and lonely, everywhere afflicted by the same unnatural and luminous phenomenon in the air. Yam’s taken the narratives we use to hide from the world, picked out their brightest emotional threads, and spun something wondrous to linger over, to examine from all angles. I haven’t been this invigorated by fiction in a while.”
✺ 2022 SINGAPORE LITERATURE PRIZE JUDGES’ CITATION
“Shantih Shantih Shantih is an elegiac meditation on our desire for both individuality and interconnection. Drawing together a diverse cast of characters who are all linked by the experience of witnessing an unexpected moment, this novella compels and enthrals. The speculative novelty of a moment of snowfall in tropical Singapore is captured through the prism of human desire and the ways in which we form our identities against our surroundings. What surprised and moved us most about this story was its propulsive nature, despite the moment of pause that inspires these intersecting threads. The reader is so captivated by the intimate portrayals of character that they are compelled to know more, in a way fulfilling their own need for relation and connection. The novella is hopeful, its intricate portrayals a strong measure of temporal realities as well as interiorities. A remarkable feat for a work of fiction from a promising writer who will continue to do great things.”
✺ COLLABORATION WITH SCENTORY (HONGKONG)
Scentory curates personal reading journeys by creating unique scents to pair with selected books. Each scent is a unique blend that draws inspiration from words and are meticulously produced by Hong Kong’s aromachologists. Scentory hopes their readers can unwind and embark on a journey of self-discovery, while finding inner peace and personal balance.
Scentory has created a special essential oil blend kit and a Japanese knot bag (illustrated by Nicholas Ho) inspired by Shantih Shantih Shantih. Both items were launched via a special exhibition at PMQ in Nov and Dec 2021, and are now available for sale.
“Daryl Qilin Yam’s Shantih Shantih Shantih is a tricky one. While the title means ‘inner peace’ in Sanskrit, the book has an almost apocalyptic undertone that chronicles the stories of 12 people on a snowy day in Singapore and how their lives have intertwined. As we follow them throughout the day, we start to see their lives unravel in fragments, broaching the subjects of love and loss, meeting and passing, serendipities and mishaps among the imperfections that make life worth remembering.
Through Daryl’s characters, I have seen pieces of myself, my unanswered questions and thoughts. This ‘Scent of Snow’ essential oil blend kit is my feeble attempt to understand our shared humanity. Inspired by the fleeting nature of snow, we want to create an experience that is both personal and elusive through scents. I hope your blend will speak your truth and share your story. For this special project, we have also collaborated with Hong Kong artist, Nicolas Ho, to create a knot bag that celebrates our melancholy.”
✺ MEDIA
“My Book of the Year 2022”, various, SUSPECT (6 Dec 2022)
“Wang Gungwu, Suratman Markasan, both 91, are Singapore Literature Prize's oldest winners”. Toh Wen Li, The Straits Times (26 Aug 2022)
“Singapore Literature Prize: 15 Winners, Four Languages”, Porter Anderson, Publishing Perspectives (25 Aug 2022)
“Singapore Literature Prize: Wang Gungwu, Suratman Markasan make shortlist at 91”, Toh Wen Li, The Straits Times (18 Jul 2022)
“Snow in Singapore: On Cosmopolitan Melancholy”, Al Lim, Quarterly Literary Review Singapore (Vol. 21 No. 3 Jul 2022)
“Best books of 2021: An epic list of all the titles we loved”, Venkat Gunasellan, Honeycombers (31 Dec 2021)
“Daryl Qilin Yam bridges loneliness in Shantih Shantih Shantih and Lovelier, Lonelier”, Derrick Tan, Esquire Singapore (5 Nov 2021)
“6/12: YOU ARE JUST A GIRL” & “7/12: YOU ARE JUST A BOY”, OF ZOOS (Issue 9.1, 2020 / 2021)